Jason’s thread made me think a little bit about what I’ll crassly call the “ultimate moment” that is death. We’ve touched on it in a couple of other threads, but I think it’s worth it’s own topic.
I’ll throw out three (OK, four) questions:
1) How do we deal with sudden death when we’re writing? Here’s a sports story that ran in the Washington Post last year where the story’s subject died midway through. It was one of the more curious pieces I’ve ever read because of the circumstances: http://tinyurl.com/yvfhtg
2) While I admit the situation from the previous story is rare, what we as writers deal much more frequently is the death of an idea. In other words, when a storyline or narrative or character fails us or doesn’t come through? What are some ways we recuperate from that?
3) Why are some of the best stories about death? Link from Gangrey about Nixon: http://tinyurl.com/2dt26r
4) How much power do we have and how scared and daunted and nervous does it make you feel? As an example, here’s a link about the sad ending to a sad story and situation: http://tinyurl.com/yo9fka. A couple years ago someone told me the writer’s mistake in the original story was to impose a narrative structure that didn’t fit the reporting. The facts weren’t wrong, but the context was. And that’s just as big, if not more of an error in my view.
